Because it's so light (132g), you can slide the Olympus Stylus 7000 into your top shirt pocket and barely notice that it's there. And when it's time to shoot, an array of intriguing features will help you capture the moment.
For general photography, the Olympus Stylus 7000's automatic mode will set the exposure and aperture for you, but you can also customise the settings by enabling exposure compensation, white balance adjustment, and a host of other tweaks.
If you prefer that the Olympus Stylus 7000 make more of those decisions, you can switch the dial to scene mode and choose from 15 presets, such as Landscape, Night, Self-Portrait, or Fireworks.
Select iAuto on the mode dial, and the camera chooses the best shooting mode for you, picking from Portrait, Landscape, Night+Portrait, Sport, and Macro. Although the iAuto mode sounds helpful, we did a much better job of determining the right scene mode than the Olympus Stylus 7000 did.
Regardless of which shooting mode you select, the Olympus Stylus 7000 uses lots of good technology to ensure snappy results. The dual image stabilisation system helps produce crisp, shake-free compositions. It also pumps up the ISO when it deems necessary, however, so you'll find times when you want to turn it off and steady the camera by other means.
Stabilising the Olympus Stylus 7000 is important, because the 7x zoom has a reach of 260mm (equivalent on a 35mm camera), which is a lot of magnification for a small camera. On the wide end, however, it's only 37mm - a narrow field of view for a camera in this class.
The Digital ESP metering system is accurate and provides good exposures. And when you turn on automatic shadow adjustment, the Olympus Stylus 7000 provides more detail in shadowy areas and in backlit situations - a nice touch.
The Olympus Stylus 7000 certainly provides plenty of pixels for big prints or cropping. Overall picture quality was good, and we were pleasantly surprised to see that the results were decent at ISO 400 and ISO 800 - unusually high ISO performance for a model in the point-and-shoot category. Image noise was fairly well controlled, but with some sacrifice of image detail.
Speaking of image detail, when we view pictures from the Olympus Stylus 7000 at 100 percent magnification, detail appears to be only average at all ISO settings (although it is better, as expected, at ISO 64 and 100 than at 400 and 800, and intolerable at ISO 1600). That shouldn't be a problem for modest-size prints, but it will be noticeable in larger output. You will probably want to apply an edge-sharpening filter before making 8.5-by-11in or bigger prints.
In jury evaluations, the Olympus Stylus 7000's overall image-quality score landed in the middle of a pack of cameras in the same price range. The camera barely broke through to the top tier in colour quality; meanwhile, in our sharpness test, the camera scored in the lower tier of our testing.
A few of the Olympus Stylus 7000's special features are truly useful. In-camera panorama stitching lets you take three shots and then meld them together into a single, extended-view image.
Our favourite of the trio of panorama modes is Combine in Camera 1. You take the first shot, and then you pan in either direction slowly guiding a diamond shaped pointer to an on-screen target. When you reach the target, the camera takes another shot. Once you've completed the sequence, the Olympus Stylus 7000 builds the panorama and displays it for you on the LCD.
In our tests, sometimes the results were spot on, while other times the stitching was a little off. But it's truly fun, and one of our favorite ways to shoot with the Olympus Stylus 7000.
Beauty Mode is a bit more ambitious. The theory is that the Olympus Stylus 7000 smoothes out blemishes and softens shadows, rendering a more pleasing portrait. You get both the original image and a "beautified" version at 1200 by 1600 pixels.
Unlike an overall Gaussian filter that would soften everything in the shot, This mode focuses on skin and leaves the other elements in the composition alone. You have to wait for processing time after each shot, so it isn't for fast-action fashion photography, but it works reasonably well most of the time and is useful for photographers who don't want to attempt retouching in Photoshop.
That said, the trade-off is that the in-camera results are not as elegant as what you could accomplish manually with an image editor.